



Rising out of the same East Dallas garage scene that birthed bands such
as Jimmy Vaughan’s Chessmen and younger brother Stevie Ray’s The Cast
Of Thousands—not to mention the Briks, the Novas, the Five Americans
and so many more—Kenny and the Kasuals started out playing for chips
and soda under the name The Illusions Combo in 1964 and were quickly
breaking attendance records at Dallas’s premiere teen spot, the Studio
Club. Slick high school hustler Mark Lee took the group under his wing,
dressing them in silk suits and two-tone saddle oxfords (which one
local department store were soon displaying as “Kenny’s Kasuals”!!) and
hyping them relentlessly, resulting in their first record “Nothin’
Better To Do” c/w the instrumental “Floatin.’” Several 45s later they
made a daring move when they decided to go all the way and issue an
independently produced LP, Impact, which would be recorded live at the
Studio Club.
Fellow Dallas favorites the Nightcaps had successfully
done it with their Wine, Wine, Wine LP so why not? The album was an
immediate success. Like the Wailers’ Live At The Castle, Impact is both
a high water mark for the band that produced it—perfectly capturing, as
it does, their high energy mixture of punked-up R&B delivered with
British Invasion attitude and Lone Star musical chops—but is also the
ultimate musical snap shot of a specific time and place. Like the best
albums, Impact goes far beyond just capturing music, it captures
atmosphere, standout tracks being possibly the best version of “Money”
ever recorded and a reading of fellow Texan Barbara Lynn’s “Oh Baby (We
Got A Good Thing Goin’)” that single-handedly puts the Rolling Stones
famed rendition to utter shame. Next up, they pioneered psychedelia
with their 1966 single “Journey To Tyme” which featured the
unforgettably desperate line “Is it my destiny…to be trapped within the
walls of time?!” In actuality, “Tyme” was a town in England, but you’d
never guess that from the Kasuals’ other worldly performance.